7 Mile +
Livernois
The Experience
This page preserves the Detroit Institute of Arts presentation of 7 Mile + Livernois for those who missed it, or want to experience it again. From studio process to installation views, from material close-ups to gallery scale. Massey’s practice of scaling jewelry to architecture and centering Detroit’s neighborhoods has been translated here for the screen.
At the DIA, the exhibition occupied multiple galleries within the Frances and Kenneth Eisenberg and Family Wing. Four new large-scale works were commissioned for the show and installed in conversation with pieces from the museum’s collection, including a modular wall work by Donald Judd and a monumental assemblage by Louise Nevelson. The galleries were staged to heighten contrast and reflection, inviting visitors to see themselves, literally and culturally, within the work.
Across the run, the museum paired the installation with talks, community programs, and city-wide engagement. This archive captures the spirit of that presentation: the forms, the context, and the voices that made the rooms feel alive.
Production and install
In the studio, cutting patterns for Quilt Code
May 5, 2024
Hear from Tiff
Tiff Massey in conversation with dream hampton, DIA, September 26 2024 · 32:14
Tiff Massey's metalwork
The Avenue of Fashion
The Impact
Community voices
Add your reflection
Quilt Code 6 (All Black Everything)
The Future
7 Mile + Livernois is a mirror and a map. Detroit is the blueprint.
This work seeds the next generation by opening doors to making, mentorship, and civic pride. Black Detroiters see their style, history, and ingenuity at museum scale, and the map points forward: welding, fabrication, design, entrepreneurship.
Tiff’s “first” is not an exception to admire; it’s a door to widen. Schools, small shops, and studios become a pipeline where young people move from curiosity to craft to career, staying home and building the city they recognize in these works.